Hasrat Sartika Sari dalam Kumpulan Puisi Elegi Titi Gantung: Perspektif Psikoanalisis Lacanian

Heny Anggreini(1*), Pujiharto Pujiharto(2)

(1) Magister Ilmu Sastra, Fakultas Ilmu Budaya, Universitas Gadjah Mada
(2) Fakultas Ilmu Budaya, Universitas Gadjah Mada
(*) Corresponding Author

Abstract


This research aims to reveal the ‘selfness’ of Sartika as the subject through her hidden desire that is repressed by the values, law, and culture in the poems collected in poetry anthology Elegi Titi Gantung (2016). The aim comes from the phenomenon that the subject (human) never really knows her desire. The desired object is always replaced by another desired object. Based on that, the issues raised were (1) how is the combination of signifier as Sartika Sari’s desire manifestation through metaphor and metonymy mechanism in the poetry anthology of Elegi Titi Gantung? (2) how is Sartika Sari’s desire that is manifested in the poetry anthology of Elegi Titi Gantung? This research used Lacanian perspective and method, i.e. analyzing the data in the form of words, phrases, stanzas, or lines in the poem to find the under-consciousness condition of Sartika who wishes the wholeness of herself through metaphor and metonymy mechanism. The result of this research was that Sartika has the desire to be an existing woman and an ideal woman. Sartika’s desire to be an existing woman showed her existence as a subject in the Symbolic order. Meanwhile, Sartika’s desire to be an ideal woman was a negotiation form toward herself who wanted freedom.

Keywords


narcissistic desire; anaclitic desire; metaphor; metonymy; Symbolic

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References


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DOI: https://doi.org/10.24257/atavisme.v22i2.585.144-158

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